Fall Belly Dance Classes with Lileith!

 

Are you looking to add a little sparkle to your life? Are you looking for a fun new way to exercise, or do you just want to get up and dance? Well, I’ve got great news!

Starting October 23rd, 2018, Lileith of Dance with Lilieth will be offering another four class session of belly dance classes in Fayetteville, AR! Classes will be in the cabaret and Oriental styles and are for all levels.

Classes will be located at Fayetteville Pilates & Barre at 3379 N College Ave, Ste 5, Fayetteville, Arkansas 72703, across the parking lot from Whole Foods.

The four class session is $60, or $18 for individual classes if you cannot attend all four. Pre-registration is highly recommended.

Get your shimmy on and work that belly before the holiday rush takes hold! Come jingle with us! We look forward to seeing you!

Full class details and payment options can be found on the Facebook Event Notice.

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I Hate Writing Show Intros

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This is Siggles, and she is done. Just done.

I hate it. I hate it. I hate it.

I’m a writer by trade…or education, at least. I have two degrees in this whole fiction business, and I can peck out a piece of fiction at the drop of a hat. I’m not terribly proficient at being concise. I’ve never been really adept at short stories. I need my excessive lore and world-building.

But writing a snappy little intro to go before a performance at a show? Hell. Pure unadulterated hell.

I write about myself here, but it’s more as a background to a larger point. A little paragraph of info about me that doesn’t sound like a dry biography from the 1800s? Yeah…I’m not so great at that. Having social anxiety and OCD really doesn’t help either.

Writing an intro is more nerve wracking than actually performing. It shouldn’t be, but it is. I would assume it’s a product of my neurotic tendency for perfectionism, but I don’t think I’m alone in being frustrated with the process.

It’s a really stupid thing to get worked up over…but, alas, here I am, sitting at my desk at 03:30, trying to peck out 3 awkward sentences for Star Fest.

For those of you out there who aren’t excessively self-conscious? What’s it like? It must be the most wonderful feeling in the world.

I guess I’ll go back to wrangling my brain squirrels. Here’s a lovely guide to writing show intros by Ananke: http://anankedance.com/5-creative-approaches-to-writing-a-stage-introduction/

Dancing with Myself: Part 2: The Cons of Self-Study

 

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David of Scandinavia Workshop 2017

While I have primarily done self-study throughout my dance “career” and have found it beneficial, there are a number of drawbacks to only engaging in independent learning. I only get snippets through the occasional workshops I do throughout the year and the couple of class sessions I’ve taken in the last couple of years, but I notice them.

No Feedback

One the downsides of independent study is you don’t get any teacher feedback. If your form is off, or if you’re doing something weird, you have to figure it out on your own, because there’s no one there to correct you. A way to mitigate this is to film yourself dancing a lot and comb over the footage and correct yourself accordingly, but it’s still not the same as immediate feedback from a more experienced dancer.

Lack of Guidance

When you study on your own, you’re…well…on your own. You have to decide how to develop your own program, which can be difficult if you don’t know what you’re looking for. You don’t have the guidance of a teacher to steer you in the right direction. When I started, it was a bit of a struggle to find what fit, because I didn’t know the vocabulary. I didn’t know what words to look for. I gravitated towards Baladi and Shaabi early on, but it took a few years for me to learn the words to be able to seek those things out. For a long time, I confused the two because I found the word Shaabi first, and the dancer was wearing a baladi-style costume.

No Accountability

When you study on your own, you are the only one who can make you practice. There are no classes to ensure you practice on a regular basis. This is why when I do find classes to take, I pay for the entire session in advance. This obligates me to attend. No excuses for not going. I find myself often going through long periods where I don’t practice at all. If I had people to dance with, I feel I would dance more often.

Slower Progress

I feel like I have done well for learning on my own, but I also understand that my progress as a dancer has been slowed because of it. Having been acquainted with the Aalim Bellydance Academy for the last few years, I notice their students progress a lot faster due to the regularity of their practice, access to teachers, and regular performance opportunities. With lack of guidance, accountability, and feedback, you will move slower.

No Community

Ultimately, all of these issues come back to the ultimate drawback to self-study, the lack of involvement with the dance community. That support network isn’t there. All of the aforementioned issues come from this single most important point. Being a baby dancer all alone is really difficult. When you finally do stumble your way into the community, you feel like an uneducated dolt because you don’t know all the words. You don’t know the big name dancers, your dance ancestors, the famous composers. It can be intimidating.

I am grateful that managed to find the community via the workshop circuit. It has improved my dancing a lot even with just the few events I go to each year. I have met countless new friends through these experiences and even found a few classes as a result. While I am pleased with the results of my independent study, if I had had the opportunity to learn with others in the beginning, I would have. If you don’t have the opportunity to learn from a live teacher, or take a class, then independent learning is a great way to get started with exploring this beautiful dance. If you do have the opportunity to take a class, do it. Seriously, you won’t regret it.

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Folklore Cocktail Workshop with Vanessa of Cairo 2016